The Photography Archive Museum, located at Guatemala 34 in the Historic Center, presents three exhibitions that discuss sexual dissidence, rituals and cultural heritage. Although originally planned for June, sexual diversity month, the protests in the Zócalo and the World Cup programming delayed its opening. Today they seek to install the issue from a more permanent perspective.
Three proposals for collective reflection
The first exhibition, “El susto enters from behind”, brings together 15 photographs by visual artist Chito Tenorio. The images propose an intimate and collective reading about fear, memory and the emotional traces that persist in bodies. The creator explains:
“The project goes through different forms, filters, contemplations and explorations. Finally it delivers a brief anthology of seven superstitions in which I build a poetics of the image.”
Tenorio points out that the exhibition takes up the construction of the male nude in the history of art. It is, he affirms, one of the few occasions in which male nudes are allowed to be shown in their entirety. Regarding the relationship between body and superstition, he adds:
“The body is the portal between the spiritual and the mystical, the spiritual and the material. Always, in one way or another, we are exposed to this type of practices.”
The photographs include rituals such as cleaning with an egg, the bolillo for fear and the superstition of sweeping the feet associated with bad luck in love.
“Ancestral Dissidences” is the second exhibition. It compiles the work of 13 artists and photographers who explore sexual and gender diversity from perspectives rooted in cultural heritage, spirituality, and community experience. Tenorio, also the curator of this exhibition, links it with the previous one by suggesting that rituality is connected to sexual dissidence.
Closes the cycle “Transit. Invocation to Coyolxauqui”, by the artist Roberto Tondopó. This exhibition brings together 17 photographic pieces that cross contemporary photography with Mesoamerican roots, integrating an aesthetic and symbolic dialogue.




