Pedro Sola faces legal complaint for comments about dogs

Charlize Theron and speculation on networks

The 50-year-old actress attended the Paris premiere of The Odyssey, Christopher Nolan’s new film. A floral Christian Dior dress made headlines… but not just because of the design. Users on X commented on her figure and, without evidence, suggested the use of Ozempic, a medication associated with weight loss.

“Ozempic has another villain,” wrote one user. Others described her as “unrecognizable.”

However, there were also defenders. “The Internet sees a thinner celebrity and immediately shouts ‘Ozempic,'” one netizen noted. The Daily Mail contacted Theron’s representatives, but did not receive a response until closing time.

The actress herself has spoken before about her routine. In 2017, she told Red that she consumes juices, kale and green salads daily, in addition to sleeping well and avoiding alcohol. In 2007, she explained to Elle UK that she seeks balance and allows herself occasional indulgences. By 2018, according to Harper’s Bazaar, she had become a fan of Pilates and was eating a diet based on raw vegetables.

While the debate continues, Theron is getting ready to play the goddess Calypso in The Odyssey. The film, starring Matt Damon, Anne Hathaway, Tom Holland, Zendaya, Robert Pattinson and Lupita Nyong’o, will hit theaters on July 17.

Macarena Miguel shows that motherhood and career can go hand in hand. The actress presents Family Therapy, a dramatic comedy directed by Mariana González, on July 25 within the framework of the Guanajuato International Film Festival (GIFF). The venues will be the capital of Bajío and San Miguel de Allende.

A family shoot

The plot follows a mother who returns to Mexico to tell her children something that will change their perception of her. The cast includes Dominica Paleta, Karla Coronado, Claudio Roca, Rubén Zamora and Daniel Martínez.

“It’s a road trip with the whole family. My character is that of an independent woman crazy about her career who is in a relationship, but is afraid of it because her parents are divorced. She is someone strong and determined who has to go on this trip through many places like Bali,” says Miguel.

The filming had a personal challenge: the actress did the callback when she was eight and a half months pregnant. She filmed when her first baby was three months old. Now, with a two-month-old little girl, she is preparing for the premiere.

“We filmed it in San Miguel and fortunately my parents live there, they helped me, and so did my husband. (The baby) I suddenly took him to the set. The hardest part for me was that on the one hand I was happy doing what I like, but there was a certain guilt that we mothers usually feel when we leave him.”

The actress is confident that the film will have a run at festivals before its commercial release. For now, GIFF marks the beginning of that path.

Pablo Cruz Guerrero’s career takes an unexpected turn. A year after playing Roberto Gómez Bolaños in the bioseries “Chespirito: sin lovingly wanting,” the actor delves into horror films.

Along with Mabel Cadena—the Namora of “Black Panther: Wakanda forever”—he stars in “The Woman Who Dreamed Underwater,” currently in post-production. The plot follows a family traveling to reconnect after the loss of their third child, a newborn. The mother begins to suspect that her loved ones have been replaced by impostors.

“I am the husband who wants to reconcile all the time, but it is difficult to be because in the couple it already seems like something that cannot be done,” Cruz Guerrero advances. “It’s a horror film in which several things happen. It’s fun to do the genre, especially alongside someone like Mabel. We hope it can be seen at the end of the year.”

A promising debut

The film is the debut feature of Ale García and Carla Sierra. His script was developed at festivals such as Sitges – the most relevant fantasy film competition in the world – and the Fantastic 7 in Cannes, where it received positive comments. The story is inspired by Capgras syndrome, a disorder that leads sufferers to believe that family and friends have been replaced by doubles; They recognize the face and clothing, but deny the identity and react with hostility.

Cruz Guerrero began his film career with the comedy “Casi divas” (2008), but it was a year later when he came to prominence in “The Student.” Regarding the filming of the Chespirito bioseries—which he has only seen once—he confesses that he felt insecure. However, the cast, which he calls a “group of misfits”, gave him the feeling of delivering. “Once characterized, we were like a family,” he says.

The actor recognizes that the bioseries opened doors. From the set he only has “some pins and something else.” He tried to keep the screaming chipote, but the producer refused. “That was for them,” he remembers with a laugh.

Today, people recognize him on the street, even with a long beard. A sign that the work, he says, was not bad.