Marilyn Manson challenges controversies with provocative recital at Fenapo

The controversial artist dazzled with a show full of symbolism and provocation in the midst of social tensions.

A show loaded with symbolism and social tension

The iconic artist Marilyn Manson offered a memorable recital at the Teatro del Pueblo of the Potosina National Fair (Fenapo), defying criticism from religious groups and parents who tried to cancel the event. The presentation, marked by its dark and provocative aesthetic, included visual elements such as inverted Lorraine crosses and theatrical lighting that reinforced the transgressive tone of the show.

Repertoire and production: a tribute to the controversy

The setlist included classics like “Disposable Teens” and “Sweet Dreams (Are of This)”, accompanied by projections that recalled the cancellation of the Black Sabbath concert in 1989 due to ecclesiastical pressures. The production, although compact (approx. 60 minutes), stood out for its technical precision and nods to the artist’s discography, including references to his album “Antichrist Superstar”.

RelatedMarilyn Manson lights up Fenapo 2025 among fans and critics

During the event, Manson interacted with the public stating: “San Luis Potosí, thank you. It is fabulous”, in contrast to the previous controversy generated by Archbishop Jorge Alberto Cavazos, who warned about the “harmful influence” of the event. The National Parents Union had gathered thousands of signatures in opposition, without success.

Social context and reactions

Governor Ricardo Gallardo, dressed in black, received the singer before the show, symbolizing an institutional position in the face of tensions. At the same time, incidents such as the placement of a cow’s head near the local Cathedral fueled controversy, linking it to alleged satanic rituals.

The venue, with full capacity, showed the loyalty of the followers, many of whom had camped for days before. Analysts point out that this event reinforces the dichotomy between artistic freedom and conservative values in public spaces, a recurring debate in the Mexican cultural scene.

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Cecilia Tijerina attacks Pedro Sola for sayings about dogs

Actress responds to Sola after controversial comments about dogs.

Cecilia Tijerina, known for her participation in La rosa de Guadalupe, responded harshly to Pedro Sola’s recent comments about dogs. The Ventaneando driver had indicated that he did not like seeing them in public places and suggested harming them.

The actress recalled on Facebook that Sola described her as “half crazy” years ago, after an interview. Now, Tijerina turned around: “I’d rather be ‘half crazy’ than be like you.”

“It is not normal to have so much hatred towards innocent beings who only give us love and want to hurt them. And you agree with him and it even makes you laugh that he is inciting people to commit a crime,” he wrote, in apparent reference to Pati Chapoy, who laughed during the comment.

Reactions in networks

The publication accumulates nearly 4 thousand reactions and dozens of comments. Users like Julianna Maldonado thought that “dogs are better than them.” Another Internet user, Patricia McClen, pointed out that Sola “apologized and retracted it, but I guess he did it so they wouldn’t expel him.”

So far, neither Sola nor Chapoy have issued a public response to Tijerina’s statements. The controversy revives the debate about the treatment of animals and the responsibility of public figures in their statements.

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Galilea Montijo: the day her son asked her to go with his father

The driver reveals the pain when her son asked to live with his father.

The pain of absence

Galilea Montijo sadly remembers the moment when her son Mateo, then 11 years old, asked her to live with his father. The driver describes it as a feeling of being “deceased in life.”

She and Fernando Reina divorced in March 2023 after eleven years of marriage. Since then, they have maintained a cordial relationship for the well-being of their son, now 12 years old and on his way to being a professional soccer player.

Mateo lives in Acapulco with his father; Galilea, in Mexico City. Although they see each other frequently, their absence affects her deeply.

Confessions in “Divine Nets”

In the program of which she is a part, Montijo confessed that not listening to it at home makes her feel “like a zombie.” He remembered that when Mateo approached him when he was 12, he told him that he wanted to go with his father. She begged him not to, but in the end he respected her decision.

“Children are like leagues: you let go of them a little and you feel like they’re gone, but the league always comes back,” he reflected.

The host also revealed that she felt judged by her son’s decision. However, his therapist explained that Mateo was looking to accompany his father, who lives alone with one of his children. “I feel like Mateo felt responsible for taking care of his dad,” she said.

“For me, the empty nest is terrible. It started at 11,” she added through tears. He said that when his son left, he felt like he was losing his life. “I was walking like a zombie,” he confessed.

Galilea assures that, despite the distance, their bond remains strong. “He knows he has his mom 24/7,” he concluded.

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Moana and Evil Dead, two faces of summer in theaters

Disney revives an animated classic while horror returns with a more intense delivery.

Two premieres for opposite audiences

The summer season in theaters receives two radically different proposals: the return of Moana in a live-action version and the new installment of the Evil Dead saga. The first aims at the family audience; the second, to the followers of the most extreme terror.

Moana’s new journey

Ten years after its animated premiere, Disney revives Moana with a budget of 200 million dollars. It is directed by Thomas Kail and stars Catherine Laga’aia, accompanied by Dwayne Johnson as Maui, now in physical form. The film includes an unreleased song by Lin-Manuel Miranda titled Along the way. Johnson has noted that the project honors Pacific culture and the memory of his grandfather.

Evil Dead on Fire: unbridled terror

At the other extreme, Evil Dead on Fire comes directed by Frenchman Sébastien Vanicek and with Souheila Yacoub as the protagonist. The story follows a widow who takes refuge with her in-laws in a secluded house, where demonic chaos breaks loose. Early reviews describe the film as the most intense installment of the franchise, with high doses of explicit violence. Sam Raimi, original creator, participates as producer.

Both premieres seek to capture very different audiences, but they share the objective of marking the summer season on the big screen.

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