Catholic faithful promote environmental protection in Rio de Janeiro
In a symbolic act prior to the UN climate negotiations, Brazilian devotees made a sustainable carpet in front of the monument of Christ the Redeemer, located in the Tijuca National Park. The installation, made up of 460 kilograms of recycled plastic lids, sought to convey a message of conservation and ecological responsibility.
A religious tradition with a sustainable twist
Ephemeral tapestries are a practice rooted in the festival of Corpus Christi, where the presence of Christ in the Eucharist is commemorated. However, this year, the artistic work took an innovative approach by using reused materials, preventing this waste from contaminating vulnerable ecosystems. According to Marcos Martins, environmental manager of the sanctuary, this action exemplifies the circular economy: “We transform waste into art, and then we will reintegrate it into new educational initiatives.”
Cardinal Orani João Tempesta, archbishop of Rio, emphasized during the morning ceremony that the initiative reflects human co-responsibility with nature. In addition, he paid tribute to the legacy of Pope Francis and his encyclical Laudato Si’, a document that links the environmental crisis with social inequalities and demands a “cultural revolution” in the face of predatory economic models.
Global context and climate urgency
The activity coincided with critical events such as the upcoming COP30 and the recent UN Ocean Conference. Carlos Lins, marketing director of the sanctuary, highlighted the symbolic role of Christ as “spokesperson for planetary defense”. At the same time, the venue has promoted workshops and debates on preservation, reinforcing its commitment to the increasing frequency of natural disasters in Brazil: Amazon droughts, fires in the Pantanal and historic floods in Rio Grande do Sul, where recent rains left fatalities.
Experts attribute these phenomena to anthropogenic climate change, underlining the need for concrete actions. The statue, located in Corcovado, thus stands not only as a religious icon, but as a call to collective reflection.
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