William and Kate shine at the BAFTAs among royal clouds

The Princes of Wales reappear at the BAFTAs as the royal family navigates another media storm.

A red ride under the radar

The 2026 BAFTA Awards carpet was dyed royal blue tonight. There were William and Kate, parading with that textbook smile that is now their second skin. The Royal Festival Hall in London welcomed them as two more stars in the British cultural firmament.

But let’s face it, no one was just looking at the dresses. The shadow is long, and this time it has a name: Prince Andrew. William’s uncle is once again the subject of his legal troubles, putting the Royal House in another public mess from which it is difficult to escape.

RelatedWilliam and Kate at the BAFTAs, between glamor and family controversy

Strategic smiles and eloquent silences

The princes walked the catwalk with the usual elegance. They greeted, posed, smiled for the cameras. The thing of a lifetime. What they didn’t do was the most interesting: they didn’t stop for a second to talk to the press.

It is the usual dynamic in this type of ceremony, but on this occasion it was interpreted by British media as a way to avoid references to the case involving his family member.

A very noisy silence. In London they are already speculating that it was a calculated move. Why risk an awkward question about your guy when you can shine with an Alexander McQueen and a perfect smile?

Your presence here is not coincidental. William is president of the British Film Academy, so he had work to do. But it was also an image mission: to project normality, elegance and continuity just when the family foundations are shaking again.

It is the eternal dance of the modern monarchy. Smile for photos while putting out fires at home. Tonight, on the red carpet, they did it with flying colors. The rest of the show… well, that one continues off-camera.

Prada reinvents the leather jean for the next season

Prada opts for denim reinvented in leather and technical fabrics for its new collection.

Miuccia Prada and Raf Simons once again challenged conventions. At Milan Fashion Week they presented a collection that takes jeans as a starting point, but transforms them into leather and technical fabrics. The goal: create a uniform for the street, not just the fashion aisles.

“Sometimes you just realize that you need a good pomodoro pasta,” Simons said before the show, referring to that Italian food staple.

The collection

Fitted and short jackets, five-pocket pants, timeless blazers and leather blouson jackets. That’s Prada’s new uniform for next spring and summer. Although the inspiration was denim, the designer confessed that she has never worn a pair in her life. Simons, for his part, acknowledged that he only recently returned to that classic after two decades of wearing wool pants year-round.

Most looks were realized in luxurious, soft leather, in monochromes of antique white, grey, burgundy or turquoise. To the rhythm of rock guitar riffs, some outfits appeared in an almost transparent white technical fabric, ideal for the recent heat wave in Europe. Only a few final looks used authentic denim.

Universal pieces, according to Prada, which sought to avoid the “useless design” that, it said, is “a lot of what’s there” on other runways. Simons explained that they wanted to reconnect fashion with the way people actually dress: “Some of the strongest ideas came from the street, not from luxury brands.”

Luxury guests included Anthony Edwards, Troye Sivan, the group ENHYPEN and Louis Partridge. Throngs of fans endured the heat to see them. The collection, with a lot of white, is committed to peace and hope, breaking the perception of typical luxury in high fashion.

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Gloria Trevi and Jacqie Rivera join voices in tribute to Jenni Rivera

Emotional tribute at the National Auditorium with the daughter of the Diva de la Banda

Gloria Trevi turned the National Auditorium into a space for celebration and remembrance. The artist offered a concert that paid tribute to Jenni Rivera, one of the most emblematic figures of regional Mexican music.

He entered the stage amidst smoke and guitar chords, with an image of the Virgin of Guadalupe on his chest. He started with “Old Shoes” and immediately his 10 thousand followers stood up. The euphoria was constant: his every gesture provoked applause and shouts.

Moments of emotion

When songs like “The potato without ketchup” began, Trevi removed the religious image out of respect. Then came “Try it to me”, “Dressed in sugar” and “I laugh at you”, where she showed her most uninhibited side.

The climax came when he introduced Jacqie Rivera, daughter of his friend Jenni. Together they performed “A hug.” Jacqie could barely sing from the emotion; Trevi hugged her and gave her a second voice while images of the Diva de la Banda with her family were projected on screens.

“I want to thank you for opening this place to me, I really did feel my mother’s presence. Thank you very much for keeping the memory of that woman alive, of our mother. She always said that the love of the stage, of her audience, was not compared to anything else,” said Jacqie, accompanied by her sisters Chiquis and Jenicka.

National pride and vibrant closure

With mariachi, Trevi performed “That female is bad” and “Let them suffer with what I enjoy.” He shouted “Long live Mexico, bastards!” and he put on the charro hat to sing “La ley del monte”, “El ingrato” and, through a video, “Porqué me haces cry” with Juan Gabriel. He invited Omar Chaparro to “Go back, go back.”

The finale came with “You Didn’t Want to Hurt Me” and “Loose Hair.” The stage was filled with fans. After a brief darkness, the attendees’ crowns of light illuminated the room. The audience asked for more and Trevi responded with “How I Love You”, “Everyone Looks at Me”, “Dr. Psychiatrist” and “Tomorrow”.

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Karely Ruiz undergoes cosmetic surgery and marks a new stage

The Monterrey influencer shared her process of physical and emotional change.

New stage, new image

Content creator Karely Ruiz announced that she underwent cosmetic surgery on her breasts, as part of a personal renewal process. The Monterrey woman explained that the decision responds to a wish she had for a long time and also seeks to silence the criticism she received for her appearance.

“It’s not just a physical change, it’s a way to say goodbye to a stage and welcome a new version of me,” he said in a video posted on his social networks.

Ruiz, known for her work on platforms such as OnlyFans, shared the message along with images of the procedure. In the publication he also addressed his detractors with humor:

“Goodbye to the criticism that they were down to the ground hahaha, do you want to see the result?” he wrote.

The influencer reiterated that this aesthetic change was something she longed for. “You know how much I wanted this change,” he said, accompanying his words with emojis.

With this intervention, Ruiz closes one chapter and opens another, both personally and professionally. The decision, in his own words, goes beyond the physical and represents an internal transformation.

Note: The type of surgery or associated risks are not specified. The information comes from the influencer’s public statements.

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