Marisela brings her ‘Eterna Tour’ to the Texas border

A new ambassador for Tamaulipas

Daniela Rueda Muñoz, originally from Nuevo Laredo, was officially presented as the representative of Tamaulipas in the Mexicana Universal 2026 pageant. The announcement was made by Jesús Muñoz, state director of the organization, during a press conference.

The 23-year-old is pursuing a Bachelor’s Degree in Business Administration and already has experience on catwalks and local editorial productions. Now he is getting ready for the national final, scheduled for August 6, 2026 at the “Charles Chaplin” Auditorium Theater in Guadalajara, Jalisco.

More than a beauty contest

Mexicana Universal, formerly known as Nuestra Belleza México, is led by Lupita Jones. The platform selects representatives for international pageants such as Miss Grand International, Miss International and Reina Hispanoamericana. But its focus goes beyond physical appearance: it promotes female empowerment, human development and the professional projection of the participants.

“It is a unique experience. They prepare you in all aspects, not only physically, but also mentally and intellectually,” said Rueda Muñoz.

The contestant admitted feeling nervous about the proximity of the competition, but also great excitement about living with the other candidates. “My expectations are very high. This contest endorsed by Lupita Jones is an unparalleled experience for me,” he added.

Social project and leadership

As part of her preparation, Daniela is taking a diploma in image, personal projection and leadership. Her social project focuses on motivating women to pursue their goals. “I never imagined becoming a beauty representative; as a child I had other plans, but life took me down this path,” she said.

Lupita Jones’ organization promotes comprehensive preparation in communication, emotional intelligence and leadership. Daniela will seek to bring the crown to Tamaulipas next August 6.

Billboard Latin Music Week 2026 already has its first round of confirmed speakers. These include Greeicy, Jay Wheeler, Jessi Uribe, Kany García and Rawayana.

Lola Índigo, Paola Jara, Rainao, Ryan Castro, Trueno and Zhamira will also participate. All will offer exclusive sessions during the event.

“We are honored to welcome this year’s talent as we continue to inspire conversations that drive the industry forward,” said Billboard CEO Mike Van.

Who are the speakers?

For more than three decades, Billboard Latin Music Week has fueled key conversations and industry highlights.

The 2026 edition will be held from October 19 to 22 at the Faena Forum Miami Beach. The agenda includes performances, panels and workshops that bring together artists, creators and executives with the public.

Tickets are now available at Billboardlatinmusicweek.com.

Among the executive panelists, Nat Pastor, Victor Gonzalez and Tommy Mottola stand out. More participants will be announced soon.

The event will coincide with the Billboard Latin Music Awards, which will be presented on October 22 in Miami. The ceremony will be broadcast live on Telemundo and Peacock.

The halftime performance of the World Cup final, with Madonna, Justin Bieber, BTS and Shakira, not only captivated the global audience. It also generated an immediate rebound in the reproductions of his songs on digital platforms.

Luminate, a firm specializing in music industry data, analyzed listening behavior two days before the event and compared it to the day of the final and the day after. The results show significant increases in each interpreted theme.

• Justin Bieber — Everything Hallelujah rose 110% globally: from 592 thousand views to 1.25 million.
• Madonna — Music grew 66%, going from 193 thousand to 321 thousand.
• BTS — Dynamite increased 43%, from 2.14 million to 3.05 million.
• Shakira and Burna Boy — Dai Dai, official anthem of the 2026 World Cup, rose 24% globally (from 14.78 to 18.27 million) and 52% in the US (from 1.68 to 2.55 million).

Luminate’s study also revealed that the increase was limited to songs performed in the field, not artists’ entire catalogs. A phenomenon similar to that which occurs with the Super Bowl halftime show.