A case that shakes the musical and legal scene
Since that March 29, the group Los Alegres del Barranco has experienced a legal whirlwind after its controversial presentation in Zapopan, Jalisco. The trigger? Perform narcocorridos while projecting images of Nemesio Oseguera Cervantes, alias “El Mencho”, leader of the fearsome Jalisco New Generation Cartel (CJNG).
The concert that changed everything
The Telmex Auditorium witnessed a show that unleashed a wave of criticism. While the band sang songs like “El del Palenque”, the stage was colored with red and purple lights, revealing the face of one of the most wanted criminals in the world. The Jalisco Prosecutor’s Office did not take long to act, opening four investigation files for alleged apology of crime.
The controversy escalated when the US government revoked the members’ visas. Christopher Landau, Undersecretary of State, was clear: “We will not glorify those who glorify crime.” Meanwhile, in Mexico, the debate over the regulation of narcocorridos gained strength, with states like Jalisco promoting initiatives to ban them in public events.
Legal and financial repercussions
The accusations did not stop there. The Prosecutor’s Office froze 5.8 million pesos of profits from the concert, suspecting its connection with illegal activities. In addition, they discovered that the band used a ghost company to sign contracts, which deepened the investigation. The musicians defended their position: “Our art tells stories, it does not promote crime.”.
Despite the group’s public apologies, the damage was done. The message is clear: in a country that fights violence, glorifying criminal figures has consequences. Where is the limit between artistic freedom and social responsibility? The case remains open, but one thing is certain: the scenario will never be the same.
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