Donald Glover reveals that a stroke canceled his tour

The artist revealed at a festival the serious medical crisis that took him away from the stage and changed his perspective on life.

The price of fame: a stroke as a gift

It seems that the life of a rap and comedy star is not as fun as it seems. In a revelation that surely ruined the festive atmosphere of Tyler, the Creator’s Camp Flog Gnaw, the one-man band Donald Glover (or Childish Gambino for his friends who buy his records) dropped the bomb: canceling his much-publicized “The New World Tour” was not an artistic whim, but rather that he almost said goodbye to this world due to a stroke cerebral. What a detail, right? While his fans cried over non-refundable tickets, he played poker with the grim reaper.

Upstage at the majestic Dodger Stadium in Los Angeles, Glover decided that a concert was the perfect place for a dramatic monologue about his health. With the irony that characterizes him, he narrated how a simple very bad headache in Louisiana became the most terrifying anecdote of his life. “I couldn’t see very well,” he confessed. Because, of course, when your vision blurs in the middle of a show, the logical thing is not to cancel and carry on as if nothing had happened, until a doctor in Houston tells you as casually as possible: “You had a stroke.” One would expect that, after such a diagnosis, the first thing would be to rest, but no, our hero preferred to wait to tell it at a festival. Priorities.

RelatedDonald Glover reveals he suffered a stroke

A hole in the heart and it is not metaphorical

As if facing a cerebrovascular event were not enough for one year, the doctors, playing at being medical detectives, discovered that the artist had a hole in his heart. Not the emotional one that leaves a bad review, but a real one, the kind that requires surgery. And not one, but two surgical interventions. Because when life gives you lemons, sometimes it throws them at your head with force. Glover, with enviable stoicism, recounted this clinical viacrucis as if he were telling the plot of one of his films, only with fewer guaranteed happy endings and more tubes connected to his body.

After this unwanted medical tour, the R&B singer and actor had to step away from the stage to, you know, the mundane: learn to walk and talk again. But all of this gave him a deep, almost philosophical perspective that he shared with his audience. Quoting a phrase that sounds like an inspirational Instagram meme, he reflected: “They say we all have two lives, and the second life begins when you realize you have one.” How deep. Almost as deep as the hole in the organ that symbolizes love.

He thanked his followers for their affection, saying that the life he has lived with them has been a “great blessing.” It is touching, if one ignores that this “blessing” almost killed him with stress. Although he doesn’t have musical performances scheduled for now (logical, after your brain goes on strike), he stays busy. He is preparing for the “Community” movie, where he will reprise his role as Troy Barnes, and for a possible solo film by Lando Calrissian in the “Star Wars” franchise. Because, apparently, traveling to a galaxy far, far away is less stressful than a musical tour of the United States.

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Renny Harlin and Aislinn Derbez: the premieres of the week

Sharks and Mexican drama come to the billboard after the end of soccer.

After almost a month of soccer games, the audience returns to the cinemas with two opposing proposals: one of sharks with an action stamp and another of Mexican drama.

Deadly impact: sharks and survival on the high seas

A flight from Los Angeles to Shanghai malfunctions and crash-lands in the ocean. The survivors are trapped in the wreckage as sharks surround the area. The fuselage sinks and they must decide whether to take their chances in the water or wait inside.

Renny Harlin, who already demonstrated his craft in Deep Alert and High Speed, directs this film. The cast includes Ben Kingsley, Aaron Eckhart, Lucy Barrett and Molly Belle Wright. Gene Simmons, founder of Kiss, is a producer and focused on the sound design of the accident.

“Harlin regains some of his former vigor in the dizzying acceleration of violence,” notes The Hollywood Reporter.

“It’s a solid, entertaining movie about a plane that crashes into sharks. It’s much higher up the food chain than it should be,” adds IndieWire.

Until the end of the world: deep drama with ex-partner

Aislinn Derbez and Mauricio Ochmann share the set again, this time in a drama far from the comedy that made them famous in A la mala. The story, which Derbez promoted for almost a decade, addresses a serious illness and a complex love relationship.

The actress went to therapy before agreeing to film with Ochmann, her ex-partner and father of her daughter. The film starts in 1975 and ends ten years later. It is the debut film of Emiliano Castro Vizcarra.

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Cecilia Suárez is honored at the GIFF after incident

A photographer fell into the stage pit just before the actress received her award.

Tribute with scare

“First of all, I would like to know if the person who fell is okay,” said Cecilia Suárez when taking the microphone at the Teatro Juárez. The actress was referring to a photographer who accidentally fell into the stage pit from a height of about two meters. Official reports confirmed that he did not suffer injuries.

The night, however, was one of celebration. Suárez received the Silver Cross from the UNAM Film Library, an award made with metal remains from film development. Hugo Villa, director of the Film Library, joked: “They can give you 8 thousand pesos for it.”

The Tampico actress arrived accompanied by her son, whom she recognized as her driving force in life. She accepted that motherhood makes women corny, remembering María Félix:

“One tends to think that when one receives a tribute one must be a certain age, and I tend to think of myself as much younger than I really am. The path of an actress cannot be understood without collective effort.”

As an activist, she has raised her voice for women, including at the UN. He considered that in turbulent times, only collective efforts will help move forward.

Also speaking at the event were Irene Azuela, who confessed that at first she was afraid to share a set with her, but a joke calmed her down, and Ernesto Contreras, her director in Párpados azul and Las Oscuras Primaveras.

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Cecilia Suárez: “I have spent millions of pesos in therapy”

The Mexican actress reveals her investment in therapies and techniques such as psychomagic to protect herself emotionally.

Cecilia Suárez, known for “The House of Flowers” ​​and “Sex, Modesty and Tears,” spoke openly about the emotional cost of her job. During a master class at the Guanajuato International Film Festival (GIFF), where he received a national tribute, he confessed: “Millions of pesos spent on therapy and many hours of self-reflection.”

The actress highlighted that acting work requires a constant review of who one is and what tools each character uses. To “heal” after intense performances, he has resorted to various techniques. The most recent is psychomagic, created by Alejandro Jodorowsky, which fuses theater, shamanic rites and psychoanalysis.

“One believes that after a certain time it will no longer happen, but that is not the case. The last thing has been psychomagic to protect me in functions and be in a stable place,” he said.

Theatre, the king of your heart

Although he works in film, television and theater, Suárez made it clear which is his favorite. He joked with the director of the GIFF, Sarah Hoch: “Excuse me, Sarah. Interpretation has its headquarters there, it is still the litmus test for actors; there we don’t have take 2 or 3, there are no tricks and that’s what fascinates me.”

Regarding the new generations, he considered that they feel anguish during breaks, when they should be enjoying them.

Seven years in Spain, but always Mexico

Living in Spain for seven years, Suárez assures that she continues to keep up with her country. “He is present every day, reading the news, talking, eating Mexican at home; there is a certain longing to be here or return at some point.”

He considers that living in voluntary exile is enriching: “I have discovered part of my family history and recognized part of the country in me. We have leaders who insist on dividing instead of generating a synergy that enriches us more.”

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