Alejandro Sanz and Candela Márquez confirm their romantic breakup

The absence at the Grammys unleashes the confirmation of a distancing that the stage and the networks already foreshadowed.

The outcome of an idyll in the cradle of the Grammys

The MGM Grand Garden Arena in Las Vegas became the setting for a drama that transcended music. That night at the Latin Grammys, the emptiness was more eloquent than any acceptance speech. Alejandro Sanz, the open-hearted troubadour, walked on the red carpet carrying an invisible weight: the absence of his beloved, Candela Márquez. Like a sinister omen, that voluntary loneliness set off all the alarms in a collective heart that was already beating with mistrust, confirming the whispers of a distancing that had been weaving its shadow over romance for months.

The next day, the sentence came without mercy. The journalist Jordi Martín, with the solemnity of a herald of bad news, announced to the world that the flame of that one-year idyl had been extinguished forever. Sources close to the singer, winner of a Grammy, revealed that the beginning of the end was born in the crossfire of a music promotion. The collaboration with the iconic Shakira in “Bésame” became poison for the couple. A simple video, an innocent show of affection on the cheek between two colleagues, became the spark that lit the fuse of jealousy so devastating that it led Candela to abandon the love boat. Although a three-day respite granted them a fleeting reconciliation, it was only the swan song of a mortally wounded passion.

RelatedCandela’s jealousy over Shakira breaks her relationship with Alejandro Sanz

The definitive crack and the silence that says it all

The final blow was dealt under the hot sun of Mérida, Mexico. After a concert that moved thousands, intimacy was replaced by physical separation. While the artist took refuge in one villa with his friends, his beloved stayed in another, sealing a fracture that was already irreparable. “They tell me that since September the relationship has been completely broken,” said the messenger of this modern tragedy. The geographic distance rose like an insurmountable wall, with him anchored in Mexico and she in Spain, while her insecurities and his emotional exhaustion ended up breaking the last threads that united them.

Today, the starkest and most public proof of this rupture lies in the digital world: they no longer follow each other on Instagram. A trivial gesture that in the universe of celebrities is equivalent to an announced divorce. A deafening silence replaces any statement, breaking with the tradition of publishing idyllic photographs to silence rumors. The curtain has fallen, and the public is a mute witness to the end of a chapter that promised “forever.”

Have you been moved by this twist of fate in the artist’s life?Share this news on your social networks and discover more stories about the loves and heartbreaks that define the world of entertainment.

Green Day surprises at Comic-Con with concert from an ice cream truck

Billie Joe Armstrong gave a surprise show from an ice cream truck to promote the band's biopic.

Icy surprise in San Diego

From the roof of an ice cream truck, Billie Joe Armstrong gave a surprise concert at San Diego Comic-Con this Friday. The band promotes Nimrods, their next biographical film.

The vocalist performed “Basket Case” near Petco Park. Dozens of fans gathered to sing and enjoy the show.

During the activation, themed ice creams and t-shirts alluding to the film were distributed. This was reported by American media.

At the event were actors Mason Thames and Jenna Fischer, part of the cast of Nimrods. Fischer is known for her role as Pam Beesly on The Office.

While Armstrong led the presentation, his colleagues Mike Dirnt and Tré Cool handed out the ice creams.

Directed by Lee Kirk and starring Mason Thames, Nimrods will be released on August 14 in the United States.

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Comic-Con 2027: Marvel reveals Black Panther III and Ghost Rider

Marvel announces new Black Panther and confirms Gosling as Ghost Rider in 2028.

Marvel Studios took advantage of its presentation at San Diego Comic-Con International to announce two projects that will arrive in 2028: Black Panther III and Ghost Rider.

New heir for Wakanda

David Jonsson took the stage alongside director Ryan Coogler. Letitia Wright and Winston Duke greeted him with smiles. Jonsson will play the son of T’Challa, the character made famous by Chadwick Boseman.

“Thank you to this family that I have the honor and blessing to join. I don’t want to say too much, because I want to let the screen speak,” said the 32-year-old actor, known for Industry and Alien: Romulus.

The release of Black Panther III is scheduled for December 15, 2028. Boseman died in 2020. The first film in the franchise grossed more than $1.3 billion and was the first superhero film nominated for an Oscar for best film.

Gosling rides the infernal motorcycle

Ryan Gosling will repeat with director Shawn Levy in Ghost Rider. On the panel, Levy recalled his time in Hall H two years ago to promote Deadpool & Wolverine.

Gosling greeted Kevin Feige and confessed that he had wanted to play the character for a long time. His partner, Eva Mendes, starred alongside Nicolas Cage in the original 2007 version, before the Marvel cinematic universe. The rights have since reverted to Marvel Studios.

More surprises on the panel

Feige announced that Avengers: Endgame will be re-released in theaters on September 25 with new scenes that connect to Avengers: Doomsday, scheduled for December 18.

A trailer showed Victor Von Doom (Robert Downey Jr.) bonding with Reed Richards (Pedro Pascal) and Sue Storm (Vanessa Kirby). Sue calls Doom a broken person: “Everything he loved was taken away from him.” Downey Jr. joked calling them “best friends.”

Ryan Reynolds burst in from the audience dressed as a gray Deadpool. He asked Paul Rudd why Thor cried in the previous film. Rudd replied: “He is a Wrexham fan,” referring to the football team of which Reynolds is a part-owner.

The panel was the most anticipated of the event. Marvel seeks to reboot its brand, affected by the excess of series on Disney+ and mixed reviews of Captain America: Brave New World.

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Cecilia Suárez: between tributes, therapy and self-reflection

The actress received the Silver Cross at the GIFF and spoke about her healing process.

A night of emotions

The Juárez Theater in Guanajuato was the scene of the national tribute to Cecilia Suárez, within the framework of the Guanajuato International Film Festival (GIFF). Upon taking the microphone, his first gesture was to ask about the safety of a photographer who fell into the stage pit. Official reports confirmed that he did not suffer serious injuries.

The actress, known for Sex, modesty and tears and The House of Flowers, received the Silver Cross, an award given by the UNAM Film Library with metal remains from film development. “They can give you 8 thousand pesos for it,” joked Hugo Villa, director of the Filmoteca, during the delivery.

Gratitude and motherhood

Suárez arrived accompanied by her son Teo, whom she defined as her driving force. She remembered María Félix’s words about motherhood and confessed:

“I felt very happy and knowing that because of the nerves I was going to get, I wrote something in case I couldn’t say anything.”

She also stressed that the path of an actress is not understood without collective effort. “One tends to think that when one receives a tribute one must be of a certain age… the path of an actress and actor cannot be understood without collective effort,” he stated.

His film debut was in 1999; then came All the power, A perfect world and Elvira would give you my life, but I’m using it. As an activist, she has advocated for women’s rights, including before the UN.

Irene Azuela and director Ernesto Contreras participated in the event, who praised her work.

Therapy as a tool

During a master class, Suárez spoke unreservedly about his investment in mental health:

“We talk little about acting dynamics; you have to constantly review yourself: who you are and what tools you come with. Millions of pesos spent in therapy and many hours of self-reflection and knowing who I am I have had.”

The actress uses techniques such as psychomagic, created by Alejandro Jodorowsky, which combines theater, shamanic rites and psychoanalysis. In response to questions from the audience, he pointed out that the new acting generations feel anguish during breaks, when they should enjoy them. For her, in turbulent times, only collective effort allows us to move forward.

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