From headphones to the big screen: the millennial leap
It seems like the entertainment universe has decided that 2026 will be the year when what you listen to on your favorite podcast in traffic will finally have popcorn. Yes, in a move that no one asked for but that we are all going to see out of morbidity, Ricardo Pérez and José Luis Slobotzky, the brains (and voices) behind the phenomenon “La Cotorrisa”, are ready to change the recording studios for a film set. His destiny: the cinema. Your guide: Carlos SantosCarlos Castillo of Cinépolis Distribución, the combination “is going to be something very fun.” Translation: prepare for chaos, but with a movie budget.
An empire built with laughter (and many problems)
It all started, like the best millennial projects, with a self-deprecating name and a YouTube rush. “We called it La Cotorrisa because we are already uncles (due to age)”, Slobotzky confessed in that first episode that today seems like an Internet relic. Six years and more than 700 videos later, the podcast has become a giant that has more than 6 million followers, positioning itself as one of the most consumed audio content in Mexico. But let’s be honest, his journey hasn’t been all about laughter and good times. His rise to the top has been peppered with one controversy after another, as if the controversy were the show’s uncredited executive producer.
2025 was particularly hot. In September, they decided to mercilessly parody the entertainment programs and their hosts, such as Juan José Origel and Flor Rubio. This sketch, however, didn’t come out of nowhere. It was the creative (and acidic) response after Ricardo Pérez and his partner, the singer Susana Zabaleta, had a tense altercation with the press at the airport. Pérez’s complaint was a generational manifesto: “They come to look for gossip, they are not going to ask you: ‘what is the next city in which you are going to appear?’… The only thing they come to do is try to get the gossip out of a TikTok video”. And as if that were not enough, the influencer Jessica Bustos and her husband Xuxo Dom reported them for sexual harassment, after in chapter 308 (later deleted) comments and jokes of a sexual nature were made towards her, which according to the complaint caused serious emotional damage.
This is the ecosystem from which his leap into cinema is born: an explosive mix of mass audience, irreverent humor and a permanent cloud of disputes. His transition to the seventh art raises the big question: will his crude and polarizing humor translate well to a film script? Carlos Santos, known for his social satire, seems the ideal accomplice to attempt this risky adaptation. Beyond the box office, this project symbolizes the definitive consolidation of digital content creators as main forces in the traditional entertainment industry. They are no longer just YouTubers or podcasters; They are the protagonists of a film distributed by Cinépolis.
Are you ready to see the humor of La Cotorrisa on the big screen? Share this news on your networks and tell us if you think this will be the box office success of 2026 or an experiment that only its fans will understand. Explore more about the new faces of Mexican cinema and the era of digital creators in our entertainment section.
