The forgotten debut of Eleazar Gómez with India María

The actor reveals his film debut at the age of six alongside the iconic comedian, a fact that surprises his followers.

From child actor to controversial reality show: Eleazar’s curious trajectory

While in The VIP Farm there is a debate about who washes the dishes or who has the most fragile ego, Eleazar Gómez dropped a piece of information that made more than one person spit out their coffee. It turns out that, between tweet after tweet questioning his career, the actor has a film resume that dates back to the glorious ’90s. Yes, the same era of grunge and tamagotchis. At barely six years old, our protagonist already shared the bill with a legend: María Elena Velasco, the very India María. Take that, network haters.

His first role: a blonde baby in a bedroll basket

The film in question is “The Stork Wrong“, a title that, looking at Eleazar’s subsequent career, one might think was prophetic. In this film, India María finds an abandoned baby and, like any heroine without an instruction manual, decides to raise him. The little boy grows up and transforms into a blonde and adorable boy, played by Eleazar Gómez who probably did not imagine that his future would include reality shows and controversies. The drama arises when the system finds out that Pedrito (that’s the name of the boy in the film) is not María’s biological son, but rather the stolen baby that everyone was looking for. Spoiler: they take him back to his “original” family, in an ending that left us all with our hearts in our fists and questioning the family reunification policies of the 90s.

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The most ironic thing about this story is not the plot, but the professional hiatus that Eleazar took afterwards. After this stellar debut, the boy disappeared from the film credits as if the earth had swallowed him. He did not reappear until 2007, already a twenty-something with minor roles. But here comes the plot twist: his true mass recognition came where it was least expected: behind a microphone. In 2010 he became the Spanish voice of Hiccup, the clumsy hero of “How to Train Your Dragon?“. That’s right, while we were crying over the friendship between a Viking and a night fury, we were listening to Eleazar. Life takes more turns than the plot of a soap opera.

This information from his early filmography puts his statements about a career spanning three decades into perspective. Although it sounds like reality show exaggeration, it is technically true. His career is a surreal collage: from being the cinematic son of India María to lending his voice to an animation icon, and from there to being a character in the human zoo of television. A journey that few in the media can tell, and that shows that in the world of entertainment, sometimes reality surpasses the wildest fiction. Their story is a reminder that artistic careers are rarely linear, and that the YouTube archive (bless it) always has a hidden gem to prove a point.

Did you know this curious fact about Eleazar Gómez’s career?Share this note and tag that film-loving friend who thinks he knows everything about Mexican cinema. And if you like these stories of acting lives full of unexpected turns, explore more content in our shows section. There’s more where this one came from!

Renny Harlin and Aislinn Derbez: the premieres of the week

Sharks and Mexican drama come to the billboard after the end of soccer.

After almost a month of soccer games, the audience returns to the cinemas with two opposing proposals: one of sharks with an action stamp and another of Mexican drama.

Deadly impact: sharks and survival on the high seas

A flight from Los Angeles to Shanghai malfunctions and crash-lands in the ocean. The survivors are trapped in the wreckage as sharks surround the area. The fuselage sinks and they must decide whether to take their chances in the water or wait inside.

Renny Harlin, who already demonstrated his craft in Deep Alert and High Speed, directs this film. The cast includes Ben Kingsley, Aaron Eckhart, Lucy Barrett and Molly Belle Wright. Gene Simmons, founder of Kiss, is a producer and focused on the sound design of the accident.

“Harlin regains some of his former vigor in the dizzying acceleration of violence,” notes The Hollywood Reporter.

“It’s a solid, entertaining movie about a plane that crashes into sharks. It’s much higher up the food chain than it should be,” adds IndieWire.

Until the end of the world: deep drama with ex-partner

Aislinn Derbez and Mauricio Ochmann share the set again, this time in a drama far from the comedy that made them famous in A la mala. The story, which Derbez promoted for almost a decade, addresses a serious illness and a complex love relationship.

The actress went to therapy before agreeing to film with Ochmann, her ex-partner and father of her daughter. The film starts in 1975 and ends ten years later. It is the debut film of Emiliano Castro Vizcarra.

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Cecilia Suárez is honored at the GIFF after incident

A photographer fell into the stage pit just before the actress received her award.

Tribute with scare

“First of all, I would like to know if the person who fell is okay,” said Cecilia Suárez when taking the microphone at the Teatro Juárez. The actress was referring to a photographer who accidentally fell into the stage pit from a height of about two meters. Official reports confirmed that he did not suffer injuries.

The night, however, was one of celebration. Suárez received the Silver Cross from the UNAM Film Library, an award made with metal remains from film development. Hugo Villa, director of the Film Library, joked: “They can give you 8 thousand pesos for it.”

The Tampico actress arrived accompanied by her son, whom she recognized as her driving force in life. She accepted that motherhood makes women corny, remembering María Félix:

“One tends to think that when one receives a tribute one must be a certain age, and I tend to think of myself as much younger than I really am. The path of an actress cannot be understood without collective effort.”

As an activist, she has raised her voice for women, including at the UN. He considered that in turbulent times, only collective efforts will help move forward.

Also speaking at the event were Irene Azuela, who confessed that at first she was afraid to share a set with her, but a joke calmed her down, and Ernesto Contreras, her director in Párpados azul and Las Oscuras Primaveras.

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Cecilia Suárez: “I have spent millions of pesos in therapy”

The Mexican actress reveals her investment in therapies and techniques such as psychomagic to protect herself emotionally.

Cecilia Suárez, known for “The House of Flowers” ​​and “Sex, Modesty and Tears,” spoke openly about the emotional cost of her job. During a master class at the Guanajuato International Film Festival (GIFF), where he received a national tribute, he confessed: “Millions of pesos spent on therapy and many hours of self-reflection.”

The actress highlighted that acting work requires a constant review of who one is and what tools each character uses. To “heal” after intense performances, he has resorted to various techniques. The most recent is psychomagic, created by Alejandro Jodorowsky, which fuses theater, shamanic rites and psychoanalysis.

“One believes that after a certain time it will no longer happen, but that is not the case. The last thing has been psychomagic to protect me in functions and be in a stable place,” he said.

Theatre, the king of your heart

Although he works in film, television and theater, Suárez made it clear which is his favorite. He joked with the director of the GIFF, Sarah Hoch: “Excuse me, Sarah. Interpretation has its headquarters there, it is still the litmus test for actors; there we don’t have take 2 or 3, there are no tricks and that’s what fascinates me.”

Regarding the new generations, he considered that they feel anguish during breaks, when they should be enjoying them.

Seven years in Spain, but always Mexico

Living in Spain for seven years, Suárez assures that she continues to keep up with her country. “He is present every day, reading the news, talking, eating Mexican at home; there is a certain longing to be here or return at some point.”

He considers that living in voluntary exile is enriching: “I have discovered part of my family history and recognized part of the country in me. We have leaders who insist on dividing instead of generating a synergy that enriches us more.”

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