Alicia Machado denounces misogyny in Miss Universe

The former queen denounces misogynistic treatment and demands structural changes in the global competition, supporting the Mexican representative.

A Firm Condemnation of Misogynistic Practices

The former sovereign of Miss Universe, Alicia Machado, has issued a very forceful statement in support of Fátima Bosch, the representative of Mexico in the current edition of the international pageant. Machado’s intervention comes after Bosch’s public complaint about having been verbally attacked by Nawat Itsaragrisil, director of Miss Universe Thailand, the host nation of the event. The phrase “Let’s see what we do with this shitty Chinese…” marks a turning point in the public posture of an experienced figure, evidencing a level of accumulated frustration that transcends the isolated incident.

Machado, who has a personal history of confronting humiliating treatment during his own reign, used a live broadcast on digital platforms to express his deep disagreement. Their analysis suggests that the problem is not episodic, but structural and recurring within the organization. “It’s still the same problem,” he said, indicating a systemic failure that has endured over the years. This statement turns the current event into a symptom of a broader dysfunction, requiring a thorough investigation and reform of the contest’s protocols and organizational culture.

RelatedFátima Bosch denounces verbal violence in Miss Universe

Questions to Headquarters and Gender Equality

Machado’s critical examination extended to the choice of venues for the beauty pageant. With visible emotion, the Venezuelan questioned the logic of holding an international women’s contest in countries that, in her opinion, do not guarantee the fundamental rights of the female gender. Her question, “I don’t understand why the hell they go there to do the international pageant, an American pageant for women that we are in another era and at another time,” calls into question the coherence between the values that Miss Universe claims to promote and the sociopolitical reality of the locations it chooses as hosts.

Going deeper into her argument, the expert in the field of competitions highlighted the origins of many candidates. He noted that a significant number of participants come from nations with deep gender inequalities, where women’s rights are considerably lagging behind. This observation introduces an additional layer of complexity, suggesting that the event could be unintentionally exposing contestants to potentially hostile or regressive environments, which would contradict its supposedly empowering mission.

Regarding Itsaragrisil, the designated Thai director, Machado was categorical in her evaluation and in the action she considers necessary. Her comments, referring to him as an “egghead” and a “fucking lout…misogynist,” leave little room for ambiguity about her perception of his character. The core of their demand is the immediate expulsion of the individual from any position within the organization, establishing a precedent of zero tolerance towards abusive and misogynistic behavior by executives and contest staff.

Personal Background and a Call to Coherence

To fully understand Alicia Machado’s position, it is imperative to contextualize it with her traumatic personal experiences. His record not only includes the 1996 crown, but also a series of public criticism and international harassment focused on his physique, orchestrated from the highest levels of the organization at the time. She has specifically identified Donald Trump, then owner of the franchise, as her main harasser, recalling the epithets “Miss Piggy” and “eating machine” that severely affected her mental health and self-esteem.

This personal baggage turns his current defense of Fátima Bosch into a broader act of vindication. His conclusion is clear: the true objective of the pageant should be the fight for rights and gender equality at a global level, a purpose that he considers undermined when figures like Itsaragrisil are allowed to interact with the contestants and when venues are selected that are incongruent with these ideals. Their call is for a reinvention of the event that prioritizes the safety, respect and dignity of the participants above all else.

Do you share this critical vision about the need for a profound reform in international beauty pageants? Spread this analysis on your social networks to expand the conversation and explore more content on the evolution of women’s rights in global entertainment.

Latin stars headline Billboard Week 2026

Greeicy, Jay Wheeler and more will be speakers in Miami.

Billboard Latin Music Week 2026 already has its first round of confirmed speakers. These include Greeicy, Jay Wheeler, Jessi Uribe, Kany García and Rawayana.

Lola Índigo, Paola Jara, Rainao, Ryan Castro, Trueno and Zhamira will also participate. All will offer exclusive sessions during the event.

“We are honored to welcome this year’s talent as we continue to inspire conversations that drive the industry forward,” said Billboard CEO Mike Van.

Who are the speakers?

For more than three decades, Billboard Latin Music Week has fueled key conversations and industry highlights.

The 2026 edition will be held from October 19 to 22 at the Faena Forum Miami Beach. The agenda includes performances, panels and workshops that bring together artists, creators and executives with the public.

Tickets are now available at Billboardlatinmusicweek.com.

Among the executive panelists, Nat Pastor, Victor Gonzalez and Tommy Mottola stand out. More participants will be announced soon.

The event will coincide with the Billboard Latin Music Awards, which will be presented on October 22 in Miami. The ceremony will be broadcast live on Telemundo and Peacock.

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World Cup spectacle boosts artists’ streaming

The World Cup halftime show skyrocketed the views of Madonna, Bieber and BTS.

The halftime performance of the World Cup final, with Madonna, Justin Bieber, BTS and Shakira, not only captivated the global audience. It also generated an immediate rebound in the reproductions of his songs on digital platforms.

Luminate, a firm specializing in music industry data, analyzed listening behavior two days before the event and compared it to the day of the final and the day after. The results show significant increases in each interpreted theme.

  • Justin BieberEverything Hallelujah rose 110% globally: from 592 thousand views to 1.25 million.
  • MadonnaMusic grew 66%, going from 193 thousand to 321 thousand.
  • BTSDynamite increased 43%, from 2.14 million to 3.05 million.
  • Shakira and Burna BoyDai Dai, official anthem of the 2026 World Cup, rose 24% globally (from 14.78 to 18.27 million) and 52% in the US (from 1.68 to 2.55 million).

Luminate’s study also revealed that the increase was limited to songs performed in the field, not artists’ entire catalogs. A phenomenon similar to that which occurs with the Super Bowl halftime show.

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Shark Week 2025: K-Pop and diving stars dive with sharks

Rei Ami and Molly Carlson face their fears at sea for Shark Week.

The singer Rei Ami, known for her participation in the KPop Demon Hunters soundtrack, lived a unique experience off the coast of Korea. He dived with 16 reef sharks during a feeding frenzy.

Far from being terrified, he cried in amazement. “I thought I would be more scared, but I was fascinated. It was witnessing nature,” she said. “You can’t describe the emotions you feel.”

Two ways to face fear

Rei Ami did two cage dives and two freediving dives with hammerhead, reef and bull sharks. His partner on the K-Pop Shark Heroes show, comedian Ken Jeong, preferred to stay grounded. “I’m like Christopher Nolan in Shark Odyssey: I just supervise,” he joked.

The new season of Shark Week starts on Sunday on Discovery Channel, with 20 one-hour episodes. Among them, the participation of diver Molly Carlson stands out, who jumped 15 meters from a helicopter into a plexiglass cage surrounded by reef sharks.

Carlson, who suffers from anxiety, accepted the challenge to inspire others. “If I can help that 16-year-old girl who just wants to hide, I’ll find a way,” he said. “It’s okay to be afraid and do it anyway. That was the purpose of this project.”

The program concludes on August 1 with an analysis of the movement of white sharks northward and the technique used by thresher sharks to stun their prey.

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